EILEEN A. JOY

http://www.siue.edu/~ejoy

Curriculum Vitae

Figure 1. Jeanne Moreau and Jean-Luc Bory in Louis Malle's The Lovers (1958)

EDUCATION

DISSERTATION

Beowulf and the Floating Wreck of History

ACADEMIC EMPLOYMENT

SCHOLARLY COLLECTIVE (Co-Founder and Lead Ingenitor)

BABEL Working Group on Facebook
 

Figure 2. Jeanne Moreau as Marguerite Duras in Cet amour-là (2001)

PUBLICATIONS - SCHOLARLY

Books & Journal Volumes

Books & Journal Volumes in Progress:

Full-length Articles & Book Chapters:

Articles and Chapters in Progress

Journal

Journal Column

Review Essays, Books Reviews, & Short Essays:

Reviews and Essays in Progress:

Figure 3. Catherine Deneuve in Roman Polanski's Repulsion (1965)

Weblogs:

Selected Posts:

Some Other Kind of Relation That is Not Just Possible But Already at Work: Reading, Criticism, Interpretation (30 October 2009)

As Though It Were the Writer's Duty to Create Hope, But Out of What? A Response to "The Language That Locks Others Out" (18 August 2009)

The Arrested Deployment of the Orgies of Childhood: Bersanian Relationalities, Part I (18 June 2009)

And Then There Was One: A Semi-Erotic Anti-Hagiography (2 June 2009)

Some More Thoughts on Pleasure, Even More on Wonder, and Also, Some Regrets: Could Our Medieval Studies, the One We Want, Also Be a Pleasure Garden? (17 May 2009)

While I Was Counting My Pleasures, I Fell Asleep and Dreamed that All My Thoughts Were a Paper Sculpture Garden: A Dialogue with Julie Orlemanski (14 May 2009)

A Time in Which Vagabonds and Skinny Dogs Wander in the Grey Fog: On Sadness (17 April 2009)

Faith of a Kind: Aggressive Hermeneutics, Felicitous Weak Ontologies, and the Possibility of Interpretive Communities (14 March 2009)

Not Yet Living at the Same Time with the Others: Prendergast, Trigg, and Dinshaw on Medievalism and the Supernatural (22 February 2009)

3 Posts on Elizabeth Freeman's Erotohistoriography:

Having the Stubbornness to Accept My Gladness in the Ruthless Furnace of the World: Cruising a Possibilistic, Potential Medieval Studies (29 November 2008)

Like an Old Inscription That Has Been Scratched Away and Covered with Leaves: A Meditation on the Face (19 October 2008)

Silence Makes Up the Bulk of My Estate: The Burden of History--Not Then, or Later, But Now (21 September 2008)

What Lies Before Us: Old English Studies, the Agon of Thought, and Our Moments of Unknowingness (22 August 2008)

Time is the Question of the Subject Seized by His or Her Other: The Intensities of an Ardor of a Different Kind in Carolyn Dinshaw's Queer Historicism (10 August 2008)

Gender Trouble (Again), and Again (5 July 2008)

Of Hospitals, Waiting Rooms, and Singular Unable Bodies (6 June 2008)

Dispatches from the Queer Future, Part I: Happiness, Killjoys, Sticky Objects, and a Plea for Arrested Development (30 May 2008)

It Is Understood By This Time that Everything Is the Same Except Composition and Time: Joan Retallack's The Poethical Wager (3 May 2008)

Towards a Restless Medieval Studies: Redux (29 April 2008)

Here Now Is One Who Will Increase Our Loves: On the Virtues (and Loves) of Beautiful Singularities (11 March 2008)

Between What Is Ours and What is Not Ours: Cary Howie's Claustrophilia, Anachronism, Friendship, and an Open Letter to My Profession (24 Feb. 2008)

The Other Middle Ages, A Place to Believe In, and the Fluidity of Frontiers (17 Feb. 2008)

Tracks Leading to Various Aspects of Existence that are Inaccessible by Any Other Means: Why I Teach Literature (30 Jan. 2008)

The Weight of History, A World Without Force, and The Wind That Shakes the Barley (7 Dec. 2007)

Medieval Studies, Unsettled Subjectivity, and the Thousand Tiny Itinerants of Saint Guthlac's Body (18 Nov. 2007)

The Loving Hope of Working Groups and Humanist Desiring-Revolutions (2 Nov. 2007)

Art Reveals More of Life Than Life Does: Heterosexuality, Erotohistoriography, and Our Perverse Desire for a Pleasurably Queer Medieval Studies (7 Oct. 2007)

A Terrible Beauty Is Not Reborn: Is Catharsis, or Tragedy, Still Possible? (25 Sep. 2007)

Murder, French Fries, and the Perverse Genre of the Lowbrow Tragi-Comedy (1 Sep. 2007)

Jumping the Shark, or Is it a Cow? Reply to Jeffrey (21 July 2007)

Forks in the Rift of Time: Moments-Becoming and Counter Counter-History (10 July 2007)

Burne-Jones, Chaucer, and the Slippage of Everything (30 April 2007)

Cho Seung-Hui and Emma Smith's "So What?": Why the Humanities Don't Matter, or, Into Our Own Dark Woods (21 April 2007)

Goin' Down to South Park by Way of John Mandeville (15 April 2007)

The Last One to Die, Please Turn Out the Light (3 April 2007)

Not Knowing in Advance What Forms Our Humanness Will Take (27 Feb. 2007)

Re: The Sharp Report of Scott Eric Kaufman's Owne Petard (18 Feb. 2007)

On Religion and Love: Some Random Thoughts Prompted by the Season (20 Dec. 2006)

Human Beings Will Not Split into Two Groups, Because We Will Run Out of Water First (or, How I Learned to Stop Worrying and Embrace My Irrelevance) (21 Oct. 2006)

Selected Posts:

In My Craft or Sullen Art Exercised in the Still Night: A Belated Report from the International Medieval Congress at Kalamazoo 2009 (26 August 2009)

Signaling to Each Other from Inscrutable Depths: A Response to Gabrielle Spiegel's "'Getting Medieval': History and the Torture Memos" (27 March 2009)

I'm a Pleasure Seeker, Looking for the Real Thing: We Are All Presentists Now (14 July 2008)

The Uses of the Past: The Hedgehog Review and Beyond (9 Sep. 2007)

A New, Baggy Humanism: The BABEL Working Group (25 July 2007)

The Other Kalamazoo (17 May 2007)

PUBLICATIONS - CREATIVE

GRANTS SUBMITTED

INVITED TALKS

Figure 4. Irene Jacob in Krystof Kieslowski's The Double Life of Veronique (1991)

SCHOLARLY PRESENTATIONS

CONFERENCE - ORGANIZER

CONFERENCE SESSIONS - ORGANIZER

Figure 5. Daniel Auteil and Juliette Binoche in Michael Haneke's Caché (2005)

TEACHING (post-Ph.D.)

Southern Illinois University-Edwardsville

Coastal Carolina University

University of North Carolina-Asheville

Francis Marion University

AWARDS, HONORS, PROFESSIONAL SERVICE

Figure 6. Irene Jacob and Philippe Volter in Krystof Kieslowski's The Double Life of Veronique (1991)

Wordle: Eileen Joy Resume 2 

image from wordle.net; images of Wordles are licensed under Creative Commons License