Michael Lington & Paul Taylor, Presented by WSIE 88.7 The Sound
Start Date/Time:
June 10, 2026 at
7:30 PM
End Date/Time:
June 10, 2026 at
9:30 PM
Location: City Winery St. Louis
TICKETS: Michael Lington & Paul Taylor | City Winery St. Louis
City Winery St. Louis and WSIE 88.7 The Sound Present Michael Lington & Paul Taylor live on June 10th at 7:30pm
Over 25 years into his extraordinarily impactful, hit-studded career, Michael Lington made Billboard chart history, building on his legacy of smash singles with “South Bay,” from his 2023 EP “Looking Ahead”. It is the longest running #1 on the Billboard Smooth Jazz Airplay chart and it took only four weeks to reach the pole position, where it stayed for a record setting seven weeks!
City Winery St. Louis and WSIE 88.7 The Sound Present Michael Lington & Paul Taylor live on June 10th at 7:30pm
Over 25 years into his extraordinarily impactful, hit-studded career, Michael Lington made Billboard chart history, building on his legacy of smash singles with “South Bay,” from his 2023 EP “Looking Ahead”. It is the longest running #1 on the Billboard Smooth Jazz Airplay chart and it took only four weeks to reach the pole position, where it stayed for a record setting seven weeks!
Fully embodying the hip, spontaneous action and energy promised in it’s title, Lington’s latest track “On the Scene” – the first lead single from his upcoming album – keeps the party going with a fresh and fiery, funked out and horn drenched jam that perfectly captures the spirit of the early days of contemporary Jazz, but with a modern sound. Co-produced and composed by Lington and veteran saxman, arranger and producer David Mann, the song features the same powerhouse crew that brought the magic to his recent Billboard Top 5, “Moon Goddess” – guitarist Paul Jackson, Jr., bassist Alex Al and drummer Michael White. The number thirteen is cloaked in mysticism, regarded by some cultures as unlucky and revered by others as a sacred good omen or the birth of a new beginning. Saxophonist Paul Taylor’s anticipated new recording and Shanachie debut, It’s A Brand New Day, is his thirteenth recording as a leader. The charming and down-to-earth saxman reveals, “This album in some ways signifies a new cycle for me, as this is my first new recording in three years. The title speaks to my desire to give my fans an optimistic outlook as we approach every brand new day.” The chart-topping saxophonist has enjoyed an enviable career with a string of Billboard #1 hits and collaborations with a genre-crossing lists of musicians including Regina Belle, Maxi Priest, Peabo Bryson, Keiko Matsui. The Rippingtons, Peter White, Euge Groove, Michael Lington, Jamie Jones and Marion Meadows. Taylor confesses, “I simply love creating and making my own music. I am the happiest when I am doing just this. It never gets old.” Danny Weiss, VP of Shanchie’s Jazz A&R, states, “I’ve been an admirer of Paul’s brilliant work dating back to his very first recordings. His superb tone and phrasing are second to none. Paul Taylor is a true icon whose status is well deserved.”
“I am an optimist in every way. Each new year, I just keep trying to do my best, which means playing my horn, staying in shape, touring, and continuing to create,” shares Paul Taylor, who is an avid golfer. He scores an ace on It’s A Brand New Day, showcasing ten tracks of nine originals and one Billie Eilish cover, inspired by a character from one of her favorite movie’s Spirited Away. Taylor’s saxophones conjure a mesmerizing recreation of Eilish’s ethereal vocals. He shares, “I heard this single over the speakers in a store and was like ‘Wow this is pretty cool.” When I heard it again, I knew I had to record my own version on soprano. When I got together with Dino, we put our own spin on it, and I think we paid a beautiful homage to the song. Who knows maybe Billie will hear it and like it!” The feel-good track “Makin’ Moves,” (another Esposito collaboration) features Paul’s fluid and melodic sax juxtaposed against the swinging and driving rhythm section. The hypnotic melody lingers long after the track fades away. The R&B infused and sultry “Where I Want To Be” shines a spotlight on Paul Taylor’s gorgeous tone which is amplified by layered effects. The rhythmic breakdown and soulful groove create the perfect place to be. The buoyant “Inner Circle” is a head-nodding jam while “What You Do For Me,” is a funky dance groove with Paul Taylor’s sax out front set against a funky and gritty rhythm section. It’s A Brand New Day comes to a fitting finale with the sweet, reflective, and tender “Downtime.” Taylor reflects, “Music is like the wallpaper of our lives. There are songs from certain periods of our lives that stay with us. I hope my fans can grab onto some songs on the album that will stay with them and remind them of good times."


