SIUE
Culture of African Americans, 311 Time:
Section 001 Office
Hours:
Classroom PH 0405 M, W, or by appointment
The need to justify the inhumane
enslavement of millions of humans led to the creation of the MYTH that
African-Americans have NO culture of their own.
Worse still some argued that African American culture existed but that
it was inferior to mainstream American culture.
This course exposes students to a
variety of exquisite art forms created by African-Americans, as well as
selected features of their rich and varied culture. These institutions and traditions reveal the
hollowness of the claim that blacks have no culture, as well as the specious
reasoning and inaccurate conclusions of racial supremacist arguments. This sets the stage for a healthy mutual appreciation
of African-American and mainstream American culture. Recently the entire world has begun to show
an appreciation for the richness and depth of African-American culture and to
treasure it. Mainstream American culture
has also begun to incorporate the music, humor, and literature of African-Americans. The intellectual and cultural contributions
of African-Americans to American culture grow in importance annually. These
contributions are gaining broad recognition and appreciation. African-American culture has constantly
encouraged its bearers to place high value on the struggle to achieve justice
and equality. This quest has benefitted all Americans by forcing
Course Requirements: Each student
is responsible for READING ALL ASSIGNED MATERIAL, whether it is COVERED IN
CLASS or NOT. You are expected to TAKE
GOOD NOTES IN CLASS and on the material that you READ. Moreover, you are expected to REVIEW your
notes in your STUDY GROUP weekly.
1. Vigorous class participation.
2.
Paper.
Each student is to select one African-American anthropologist,
scientist, writer, artist, or soldier, and to write a
a.
Choosing Your Subject . . . . . . . . . .
. . . .. . . . 1/29
b.
Preliminary Bibliography . . . . . . . . . . .
. .. . . 2/05
c.
Thesis Statement . . . . . . . . . . . .
. . . . . . . .. . . 2/19
d.
First Draft of Paper . . . . . . . . . .
. . . . . . . . . . .4/20
e.
Final Paper . . . . . . . . . . . . . . .
. . . . . . . . . . . . 4/27
The following source
will offer students especially tips on how to write research papers; Diana
Hacker, A Pocket Style Manual. Other Useful tips can be found at the
following online sites:
http://www.bedfordstmartins.com/history/research/student/intro.htm
How to write a research paper and survive.
http://ww3.munet.edu/library/researchpaper.htm
http://libweb.sonoma.edu/research/process/tips.html
http://www.msvu.ca/library/paper2.htm
Purdue Online
http://ow1.english.purdue.edu/workshops/hypertext/ResearchW/
10 Tips for research and writing a research paper.
http://www.tui.edu/Research/Resources/ResearchHelp/HowToWritePaper/TableOfContents.html
How
to write a scientific paper.
http://www.nmas.org/Jahowto.html
3. There will be quizzes, a mid-term exam on April , 2004 and a final examination on
4. Grading.
A letter grade of "C' indicates acceptable performance; a grade of
"B' indicates excellent performance; and an "A" is reserved for
truly outstanding work that demonstrates originality and an ability to apply
what has been learned in this course to daily life or to other courses offered
throughout the university.
Class participation.......................…..…..10%
Paper ………….........................….……..30%
Mid-term examination 4/08…….............30%
Final examination 5/05......................….30% TOTAL..................................…………….100%
Extra credit can be earned to tip a borderline grade. This will be explained in class. Options
include visiting the St. Louis Old Court
House Courtroom where the Dred Scott Trial
was held and reenacting the trial as well as visiting the St. Louis Black World Heritage Museum (Must make advanced reservations
so call at least two weeks before going).
The St. Louis History Museum in
Forest Park has an excellent exhibit on Black Music.
5. Text used.
Holloway, Joseph E. Africanisms In American Culture, Ira Harrison, African American Pioneers in
Anthropology, St. Clair Drake Black Metropolis, Melvin D.
Williams, The Human Dilemma: A Decade
Later in Belmar, Maullane, Crossing The
Danger Water, Lawrence Otis Graham’s Our Kinf of People:Inside
America’s Black Upper Class, and Allison Davis Deep South. All of these books are available through
textbook rentals or the SIUE Bookstore. Davis' Deep South
is also available at the reserve desk of the SIUE Lovejoy Library. Other
readings will be available at the reserve desk of the SIUE library upon
request. Ask for the readings for
Anthropology 311.
+Recommended
reading: Lawrence Levine, Black
Culture and Black Consciousness; Charles Johnson, Middle Passage; Charles Johnson, Shadow
of the Plantation ;
John Gwaltney, Drylongso; and Huston
Baker, Black Literature In America
; E. Franklin Frazier, Negro Youth at
the Crossways or Black Bourgieouse
; Milton M. Gordon, Assimilation In
American Life ; James H.
Jones, Bad Blood: the Tuskegee
Syphilis Experiment - a Tragedy of Race and Medicine ; Kathy Russell,
Midge Wilson and Ronald Hall, The
Color Complex: The Politics of Skin Among African Americans ; James M.
Washington, ed. The Essential
Writings and Speeches of Martin Luther King, Jr.; David Levering Lewis,
W.E.B. DuBois: Biography of a Race; W.E.B. DuBois, The Suppression of The African
Slave-Trade to the United States of America 1638-1870;
W.E.B. DuBois, The Souls of Black Folk; W.E.B. DuBois, Dusk of Dawn: An Essay Toward an Autobiography
of a Race Concept; W.E.B. DuBois, The
Philadelphia Negro: A Social Study; James Weldon Johnson, The Autobiography of an Ex-Colored Man;
Gunnar Myrdal, An
American Dilemma: The Negro Problem and Modern Democracy;
Henry Lee Moon, The Emerging
Thoughts of W.E.B. DuBois; Paul Robeson, Here I Stand; LeRoi Jones, Blues People; Benjamin Quarles, ed. Narratives of the Life of Frederick
Douglass: An American Slave Written By Himself; Martin R. Delany Blake or the Huts of Africa; William Loren Katz, Black
Indians: A Hidden Heritage;
Jack D. Forbes, Africans and
Native Americans: The Language of Race and the Evolution of Red-Black Peoples; Wilson Jeremiah Jones, The Golden Age of Black Nationalism
1850-1925; Albert J. Raboteau, Slave
Religion: The ‘Invisible Institution’ in the Antebellum South; Frank Snowden, Blacks in Antiquity,
and Before Color Prejudice; J.A. Rogers, World’s Great Men
of Color, Vol I & II; E. Franklin Frazier, The Negro Church in America; Carter G. Woodson, The History of the Negro Church in America; Carter G. Woodson, Free Negroes in America; Carter G. Woodson, The Mis-Education
of The Negro; Maya Angelou, I Know Why the Caged Bird
Sings; Jack Foner,
Blacks and the Military in American
History; Colin Powell, My American Journey; Henry O. Flipper, The Colored Cadet at West Point; John Storm Roberts, Black Music of Two Worlds; Alan Lomax, The Land Where Blues Began; William Julius Wilson, The Truly Disadvantaged, and The Declining Significance of Race; Oliver Cox, Caste, Class, and Race; Charles Willie, Caste and Class Controversy; Herbert Gutman, The
Black Family in Slavery and Freedom; Henry Louis Gates and Cornell West, African-American
Century: How Black Americans Have Shaped Our Country;
Henry Louis Gates, Signyfying Monkey; Joel Chandler Harris, Uncle Remus: His
Songs and Sayings, and Nights With Uncle Remus; Langston Hughes, The Book of Negro
Folklore; Zora Neal Hurston,
Mules and Men, and God’s Trombone; Randall
Robinson, The Debt:
Reparations; Nathaniel Huggins,
Harlem Renaissance; Michael Eric Dyson, Race Rules: Navigating the Color Line; Michael Eric Dyson, Between God and Gangsta Rap: Bearing Witness to Black Culture; Cornell West, Race Matters;
Benjamin Quarles, The Negro
and the American Revolution;
Benjamin Quarles, Lincoln and
the Negro; Benjamin Quarles, John Brown and
the Negro; Langston Huges, The
Ways of White Folks; Langston
Hughes, The Best of Simle and Simple’s Uncle Sam; James, Stolen Legacy; Booker T. Washington, Up From Slavery; Harlan, Booker T. Washington: The Wizard of Tuskeegee; Daniel Littlefield, Rice and Slaves: Ethnicity and the Slave
Trade in Colonial South Carolina; Leon Dash, When Children Want Children: An Inside Look at the Crisis
of Teenage Parenthood; Leon
Dash, Rosa Lee: A Mother and
Her Children in Urban America.;
Richard C. Wade, Slavery in Cities:The South 1820-1860; James D. Anderson, The
Education of Blacks in the South;
Hattie Carwell, Blacks in Science: Astrophysics to Zoologist; Ivan Van Sertima,
ed. Blacks in Science: Ancient
and Modern; Charles E. Jones, The Black Panther Party Reconsidered; Andrew Billingsley, Climbing Jacob’s Ladder: The Enduring
Legacy of African-American Families; Carol Stack, All Our Kin; Demitri Shimkin, et. Al. The
Extended Family in Black Societies; Jules Tygiel,
Jackie Robinson and His Legacy: Baseball’s Great Experiment;
Eloise Greenfield, For the Love of the Game: Michael Jordon
and Me; Arthur Ashe, Arthur Ashe, Portrait in
Motion; Althea Gibson, I Always Wanted to be Somebody;
Nicholas Lemann, The Promised Land: The Great Black Migration and How It Changed
America; Alex Kotlowitz, There
Are No Children Here: The Story of Two Boys Growing Up
in the Other America; John
Edgar Wiedman, Brothers and Keepers;
Jonathan Kozol, Savage Inequalities;
Charles Blockson, Black Genealogy;
Irma McClaurin, ed. Black Feminist Anthropology;
Harold Cruse, The Crisis of the Negro Intellectual; Ralph
Ellison, The Invisible Man; Franz Fanon, Black
Skin, White Masks; Bart Landry, The New Black
Middle-Class; John Fernandez, Black Managers in White Corporations;
Stephen Birmihgham, Certain People: America’s
Black Elite; Daniel Thompson, A Black Elite;
Richard Freeman, Black Elite; Lois Benjamin, The Black
Elite; Martin Luther King, Jr. Where Do We Go From Here: Chaos or Community? This
list is indicative of the rich literature on African-Americans, it is not
exhaustive. It should help students to
imagine or begin to develop a topic for their paper. For information on selected African cultures
please visit the
“Forsan et haec olim meminisse iuvabit.” Virgil - Aeneid
Perhaps
this will be a pleasure to look back on one day.
WEEK ASSIGNMENT TOPICS
R 1/15 Holloway, x – xxi The Image of Africa WHAT TYPE OF ORANGE?
T 1/20 Basil Davidson African Civilizations/Mali Library Reserve Desk – Lovejoy Library
SIUE
R 1/22 Snowden, Chapter 1 Is Color Prejudice Ancient? Lovejoy Library – Reserve Desk DISCUSS
PAPER
R 1/29 Matt Emerson 47 - 82 African
Am. Archaeology. Recommended Reading:
Robert Schuyler,ed. Archaeological Perspectices
on Ethnicity in America: Afro-American Culture. VIDEO: Digging For Slaves: The
Excavation of American Slave Sites.47
T 2/03 VIDEO:
Mo Fuuny:A History of Black Comedy
R 2/05 Recommended: John Slave Culture QUIZZ John W. Blassingame. The Slave Community or
Blassingame, "Sambos
and Rebels: The Character of the
Southern Slave." in Lorraine A. Williams, ed. Africa and the Afro-American Experience: Eight Essays. Mullane.
20-48 Phillis
Wheatley & Banneker CHOOSE TOPIC FOR PAPER
R 2/12 Holloway 19 – 33 English
& African Languages Mullane.
51-72 Resist or Return?
Walker BIBLIOGRAPHY FOR PAPER DUE ON NOTE CARDS IN CLASS
T 2/17 Holloway 19 – 33 The
Smitherman Argument
E.Whatley,”Language
Among Black Americans” 92-107 W.
Labov, “Recognizing Black English” 29 – 55 G.
Smitherman. “It
Bees Dat Way Sometime” 552-567 “Black on White” All available on Library Reserve.
R 2/19 Holloway 19 - 33 Black
English/AAVE
T 2/24 http://wn.wikipedia.org/wiki/Black_English_Vernacular
http://www.indiana.edu/~eric_rec/ieo/bibs/blckvern.html
http://www.une.edu.au/langnet/aave.htm
http://www.lsadc.org/faq/ebonics.htm
Rickford, John. African American Vernacular English:features, evolution, educational implications. Malden. Blackwell Publshers.
1999.
R 2/26 Holloway 35 – 68 Voodoo,
Hoodoo, & the Mojo QUIZZ Mulaane.
100-129 AMISTAD Case THESIS
SENTENCE FOR PAPER DUE
T 3/02 Holloway 35 – 68 Folklore Mulaane. 139-183
Frederick Douglass VIDEO: Gullah Folk Tales.
R 3/04 Holloway 69 - 97 African-Am
Folktales Mullane. 247-273 Gullah
& Gichii
T 3/02 Jones 10 – 31 Assimilation
or Annihilation Mullane. 247-273. Brer Rabbit
and Friends
R 3/09 Holloway 98 – 118 Religious
Retentions ? QUIZZ
T 3/11 Suggested: Afro-Am Church Evolution E.
Franklin Frazier. The Negro Church.
R 3/16 SIMULATION: The Dred Scott Trial. Mullane. 132-138 DRED SCOTT
T 3/18 Wade et. passim Slave Culture In Cities Recommended: Richard Wade. Slavery
In The Cities.
R 3/23 Cultural Resistance Harriet Tubman/Mullane
189 VIDEO:
Roots of Resistance: A Story of the Underground Railroad. 14
T 3/25 Black Artists/Paintings Duncanson,LewisTannerQUIZZ
Harrison Ch 6 Katherine
Dunham Mullane. 207-246 John Brown/N.Y.C. Draft
Riots SLIDE Lecture
Exodustusters/Black Cowboys
T 4/01 Founding LIBERIA: A refuge for
Ex-slaves Mullane: 76-73.
T 4/06 Mullane.
354-392 Booker T. vs. W.E.B. DuBois VIDEO: BOOKER T. WASHINGTON: Life and Legacy. VT733
R 4/08 Midterm In Class.
Bring a pencil & eraser.
T 4/13 Discuss Examination Allison Davis Browne
Chapter 8 in Harrison, African-American Pioneers in Anthropology.
R 4/15 Browne Ch 8 Davis,
Race & IQ Mullane. 348-353 “We
Wear the Mask” Graham. Our Kind
of People. Et. passim.
T 4/20 Allison
Davis and Segregation and Culture in
Davis & Gardner, Deep
South.Ch. 1-10 Mullane. 421-440 Plessy v. FergussonGraham. Our
Kind of People. Et. passim.
R 4/22 Black
Contributions to U.S. Military
Culture. QUIZZ Mullane.
460-467 Returning Soldiers VIDEO: "The Buffalo
Soldiers." FIRST DRAFT OF PAPER DUE
T 4/27 Recommended: Syhilis,
Research QUIZZ James H. Jones. Bad Blood. Ethics
R 4/29 Malcolm X Black Nationalists Mullane.
468-508 Lynching/ “I Too”
Browne,
"Malcolm X: Three Identities, Three
Worlds." Reserve Desk Library. VIDEO: "Make It Plain."
FINAL PAPE DUE IN CLASS.
St. Clair Drake 31 – 64 Our Kind of People
Graham:et. passim ,Mullane.
455-459 Chicago
Defender
Mullane. 534-542 “Joe
Louis” Brown Bomber
& Scottsboro Boys: See Jullitee
Walker, the History of Black Business.
FINAL EXAM on Wednesday May 5, 2004 from 8:00 A.M. – 9:40
A.M. GOOD LUCK!
*****Students who
desire to see their grade before it is posted by the Registrar must supply the
professor with a stamped, self-addressed post card and a signed request for your
grade on the back with a space for the grade and your professor will mail it to
you. Have HAPPY HOLIDAYS!