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Eubie (James Hubert) Blake

Eubie (James Hubert) Blake

Eubie (James Hubert) Blake

     Internationally renowned ragtime pianist and composer

Birth:

Death:

Birthplace:

Date of Interview:

Place of Interview:

Interviewers:

 February 7, 1883

 February 12, 1983

Baltimore, Maryland

April 14, 1972

SIUE

Dan Havens, Jules Zanger, Carol Clarkin


Eubie Blake, with his long, slender fingers, had a distinguished musical career.  Mr. Blake formed a successful partnership with Noble Sissle in 1915.  Mr. Blake went on to become music director for the United Services Organizations (USO) productions during World War II.  His first recording was released in 1917.  During the 1950’s he was considered by many to be the nation‘s leading ragtime pianist.  In 1969 he recorded the album, “The Eighty-Six Years of Eubie” (COL C2S-847), which was well received.  Three years later, Mr. Blake came to SIUE to perform at the First Annual Jazz Festival.   Eubie Blakes legendary musical life has been celebrated in a number of films and in the Broadway musical, “Eubie.”


This is the table of contents for the interview of Eubie Blake.  It is part of the National Ragtime and Jazz Archive which is located in Lovejoy Library at Southern Illinois University Edwardsville.

        For a complete contents list of all musician interviews for the oral history project, please click on this link:  Oral History and Research Materials.


        If interested in reviewing these materials from the National Ragtime and Jazz Archive, please contact Therese Dickman, Fine Arts Librarian.

Tape #  Side

Time

                        Subject

1  a

015-050 

Eubie as a nickname

1  a

051-065

Birth in Baltimore, 1883

1  a

066-104 

Parents; as slave; family

1  a

105-114 

Music in family

1  a

115-133

Longevity; Eubie's father

1  a

134-175

Eubie's father and the American flag

1  a

176-192

Lee Whipper, Porgy

1  a

193-283 

How Eubie started playing the organ

1  a

  284-307  

First lessons; Margaret Marshall

1  a

308-319

Improvising on the organ

1  a

320-340

Ragtime, origins of

1  a

341-403  

Eubie's girlfriend, her lawn party; Edgar Dow

1  a

404-449

Plays “Dream Rag”

1  a

450-480

Jessie Picket, Composer of "Dream Rag"

1  a

481-493

Basil Chase; Eubie age 15-16

1  a

494-508 

Dr. Frisbee's medicine show

1  a

509-628 

Job at Aggie Shelton's Place

1  a

629-634 

Next job

1  a

635-648 

Old Kentucky Show

1  a

649-654 

Playing cabarets in New York

1  a

655-665 

Type of music played in bordellos

1  a

666-702 

Plays excerpts of music

1  a

703-709 

1905; playing in New York and Atlantic City

1  a

710-712

Goldfield Hotel

1  b

063-095

Rags, classic flavor of

1  b

096-111 

Composing of Charleston Rag

1  b

112-144 

Learning show music

1  b

145-176  

Jim Europe's band

1  b

177-224   

Early rags - "Chevy Chase" and "Fizzwater"; publisher's tricks -no royalties

1  b

225-274 

Plays  “Charleston Rag”

1  b

275-280  

First musical comedy

1  b

281-394  

Discrimination against blacks in show business; musicians salaries; Keith Vaundeville. Dressing facilities for blacks; Eubie's father on Decoration Day

1  b

395-406 

Blank

1  b

407-491 

Attitudes of young blacks; feelings of older blacks

1  b

492-504 

First show; Shuffle Along

1  b

505-523  

Playing in small towns

1  b

524-549  

Getting from New Jersey to Washington, D.C.

1  b

550-565 

Thomas Brothers and race track incident

1  b

566-580 

Getting from Washington, D.C. to New York

1  b

581-592   

Minstrel shows; comedians

1  b

593-599   

Blank

1  b

600-645   

Minstrel shows

1  b

646-668    

Continued popularity of "I'm Just Wild about Harry"

1  b

669-704  

Partnership with Noble Sissle

1  b

705-724  

Josephine Baker

1  b

713-719

Blank

1  b

720-740  

One-leg Willie

1  b

725-736   

Countries played on tour

1  b

737- 

End of tape

1  b

740-  

End of side one

2  a

003-025

USO tours

2  a

026-038 

Travels in U.S.; wife acts as agent

2  a

039-056 

Recent compositions

2  a

057-105 

Plays "Melodic Rag"

2  a

106-141 

Present popularity of ragtime; what makes music ragtime

2  a

142- 

End of tape


E-mail comments and inquiries about the National Ragtime and Jazz Archive to Therese Dickman at tdickma@siue.edu or call 618-650-2695.




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