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Meet the Faculty

Music Faculty

Andrew Greenwood

Andrew Greenwood

Office: Dunham Hall Rm 0155
(618) 650‑2026

Andrew Greenwood is Assistant Professor of Musicology and Director of Graduate Studies in the Department of Music at SIUE. He received his Ph.D. in History and Theory of Music from the University of Chicago in 2012 with a dissertation titled “Mediating Sociability: Musical Ideas of Sympathy, Sensibility, and Improvement in the Scottish Enlightenment” under a Whiting Dissertation Fellowship, and winning a Stuart Tave Teaching Fellowship to teach a course on Music and Enlightenment in Europe. From 2012-14 he served as Visiting Assistant Professor of Music History in the Meadows School of the Arts at Southern Methodist University in Dallas, winning various awards for teaching, research, and diversity.
Passionate about relationships between teaching, performance, and history, Greenwood served as Artistic Advisor to the Newberry Consort for their 2013 annual series concert “My Heart’s in the Highlands.” In spring 2014, he was an invited colloquium series speaker and guest teacher at the University of South Carolina School of Music, with an archival research residency jointly sponsored by the Ernest F. Hollings Special Collections Library to work in their extensive Scottish collections. Greenwood currently serves as Member-at-Large of the Eighteenth-Century Scottish Studies Society. He also has given recent invited talks at Harvard University and the Center for Teaching Excellence at the University of Chicago, and delivered conference papers at the Annual Meeting of the American Musicological Society in Milwaukee (2014) and New Orleans (2012). 


“Haydn and Enlightenment,” Cambridge Haydn Encyclopedia. Edited by Caryl Clark and Sarah Day-O’Connell. Cambridge: Cambridge University Press, forthcoming 2017. Invited contributor; book chapter of c.2500 words.  

“Rethinking the Songster and ‘National-Cosmopolitan’ Identity in Scotland, c.1787-1830,” in Cheap Print and Popular Song in the Nineteenth-Century: A Cultural History of the Songster, 161-183. Edited by Derek B. Scott, Patrick Spedding, and Paul Watt. Cambridge: Cambridge University Press, 2017 (in press).  

Conference Review on the 2015 American Society for Eighteenth-Century Studies, Los Angeles. In Eighteenth-Century Music 13, no. 1 (March 2006). Cambridge University Press. 

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