A Sparrow Any Day : Kaitlin Bostick
Work featured in
this
issue:
"Sparrow Girl", "Season of the Wild
Ones", "With the Wild Flowers", "Heaven"
"I
live in redbud trees, half grown with buckling limbs" - You seem
to
have an uncanny connection with nature and you invoke it as if you're
in dialogue with it directly. How do you relate the natural with
yourself when you're writing? Is this connection motivated by anything
in particular?
For me, the natural world,
particularly trees, were a very big part of my past and childhood. My
hometown had two tree nurseries in it, so when I think of the landscape
there I can't bring it to mind without seeing trees. I'm also just
generally more comfortable outdoors, so it is a landscape I'm more
comfortable creating in my writing as well.
In "Heaven", there's a
character, Graham, which is your brother, right? He pops up in a lot of
your other work. Is he aware that he's a character in your poems and
how does he feel about that?
Graham is my brother and he does pop up in a lot of my poetry. A lot of
my poems start from an autobiographical moment and branch out or grow
from there, so I think it's pretty normal that he shows up a lot. There
are other times, however, when I just want or need a brother figure
and, for me, his name is obviously synonymous with the word "brother"
so
I'll use it. I have told him that he is in a lot of my writing and I
think he is pretty comfortable with it as long as he doesn't have to
read it!
Would you rather be a sparrow, a
tree, or a wild flower?
I'd be a sparrow, definitely, any day of the week.
Is
there any sort of ritual you perform when preparing to embark on the
process of writing? What
is your methodology from idea to page, and what sort of things help
that
transition along?
I do a lot of writing in my head, particularly the first two lines.
I'll get two lines in my head that I really like working with and I'll
keep those lines in there until I can see where the poem is going. The
rest of my writing ritual is pretty basic. I have to have it really
quiet because I'll let myself get really, easily distracted (I'm
incredibly jealous of any poet that can write to music) and I always
work with a notebook and a pencil before I even consider typing it up.