A night of theatrical paradoxes |
Tom Kennedy |
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'Blues' is enjoyable, despite several structural problems
Sheldon Epps, who conceived "Blues in the Night," should be credited with creating a theatrical anomaly, namely, that he got the idea to have a show with four distinct characters, but no story, plot, climax or resolution. Yet, somehow, this show still made for an agreeable night. To compare this work to any serious work of literature would be unfair. "Blues in the Night" is more of a concert than a play. As a concert, "Blues in the Night" was a smashing success. Liz Mikel, who plays the lady, a slutty Josephine Baker-type character, has the vocal power to shake the rafters with a whisper. It is true that her character is continually raunchy and extremely sexual - she could turn any object phallic in a second - but she also came off as classy. Stanley White, who plays the only male part in the show, also pulls off a powerful and shaking performance, although he did present a visual problem. There was an excessive amount of makeup which dulled the masculine features of White's face and made his whole appearance more feminine. This man is supposed to be representing the sexual power and freedom men supposedly enjoy. Although all the characters had amazing voices, a lot of credit has to be given to the band and the stage designer. The band, led by Michael Heavner, never missed a step. It accommodated the players wonderfully, and in my opinion, should have been brought out to center stage to receive a strongly deserved ovation. Also, Mike Nichols, scenic designer, should be congratulated on creating a very fluent and intriguing stage. The fact that the audience could see the band playing through a screen in the center of the stage and not miss watching the singers was ingenious. Most good shows are more character-based than action-based, but "Blues in the Night" has four strong characters and absolutely no place to put them. This is a show that engages your senses but not your intellect. It is a tale full of sound and fury but signifies nothing. "Blues in the Night" is enjoyable, but nothing more. For more Arts and Issues performances, showtimes and ticket information, call 650-2626. | |
"Blues in the Night" came to the Katherine Dunham Theater Feb. 3 and 4. Peformed by the Arkansas Repertory Theater, this production was part of SIUE's Arts and Issues series.